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The works, which transport these topics (often stances) into a visual world permeated by symbols, allegories and irony, prompt their viewers to think and form associations, while also testing their views on fiction, reality, private history and ideology.
Rather than forming a network-like pattern, these painted figures are arranged into scenes or shown by themselves, dynamically covering the surface of the vase.
While, in the case of the vase, the genre, as plastic carrier, provides an important function in terms of meaning, the emphasis is nevertheless placed on the painted element. The shape and glazing of the vase are brought into play as archaic references in connection with the painted motifs, as a result of the emergence of the narrative and associative content of the latter into the foreground. With regard to the genre, in addition to allusions to traditions from the history of art, we should also mention renowned British visual artist Grayson Perry as an important reference, who acquired international recognition with his painted ceramic vases which bear social critical themes and which also stretch the technical limits of the genre.