Best currency to trade qatar airways38 comments
Verified markets world binary options edge vip services for digital option traders
Our 1 year diploma program offers a very distinctive and yet, a collaborative curriculum that approaches the art of creating sound and music, by combining problem solving methodology with improvisation. This unique combination allows our students to get accustomed to industry standard production technologies and workflows. Course focuses on the development of hardware and software technologies to be applied to creative ends.
You'll learn how to develop and apply electronics and computer technologies within the broad context of music, audio and recording. We have a well-established advanced technology base, and you'll be taught by experts in audio, multimedia, computing, psychology and music.
This unique mix of disciplines means our course is truly comprehensive, linking technological and creative perspectives. The origin, propagation and reception of sound — Wave nature of sound — Reflections, defraction - Amplitude —frequency and phase — Simple and complex waves - Octave, harmonics, tones and semi tones —Musical sounds and noise — White Noise and Pink Noise - Human ear — Psychoacoustics and Psycho Acoustical effects - Perception of loudness, pitch and direction —Ear training.
Various stages of production: Recording — editing - mixing and mastering — Studio equipments: Voltage - current - power — Ohms law — Series and parallel networks — Electronic components — Resistors — capacitors — inductors - transistors - vaccum tubes.
Logarithms — Linear and logarithmic scale of frequency — Decibels - Decibels for measuring signals — Different types of audio meters — Decibels for measuring acoustic properties — Weighing networks — Noise flow: Dynamic microphones — Principles of operation — Condenser microphones — Electret condenser microphones and ribbon microphones — Microphone sensitivity and polar patterns — Mic pre-amplifiers — Phantom power — Microphone techniques: Close micing — Ambient micing — Accented micing — Stereo micing techniques: Mic Stands, shockmounts, windshields, pop filters.
Signal flow and functional blocks - IO section: Submasters, matrix and master fader — aux-masters — pre and post fader settings — solo — Monitor section: Types and properties — Analog tape recorder: Principle of operation — Audio quality and tape saturation — Monitoring modes: Input monitoring, auto input monitoring.
Compressors — expanders — limiters and gates — Effects Processors: Reverberation units — delay — phasers and flangers. Computer configuration and specifications — Introduction to Pro-tools — TDM systems and host based systems - Recording, editing and mixing in Pro-tools — Time codes and synchronization: Different types of drivers and specifications — Loud speaker cabinets — Infinite baffle and vented speakers — Two way and three way configurations — Cross over networks — Active speakers — Different types of amplifiers — Power rating and impedence matching —Modes of operation: Stereo, parallel and bridge.
Sound design and planning — Production: Location sound recording — equipments and specifications — daily logs — locked cut — Post production: Video editing — dubbing — effects and Foley recording — background score — premixes — final mix — Presentation formats: Mono — stereo — 5. Sound isolation and treatment — Effect of boundaries — Standing waves — Reverberation time — Room dimensions.
Home Courses Diploma in Audio Engineering. Introduction to Studio equipments: Principles of Analog Recording: Effects and Signal Processors: Principles of Digital Recording: Compressed and uncompressed audio — Examples and applications. MIDI synthesis and sampling: Digital Consoles and Principles of Operation: Signal flow — Features and automation.
Sound for Radio and Television: Sound for motion pictures: